'The renewed online interest towards my music has been wonderful. Lines without a link come from the ' All Vs/Victory Lines' video. She lost to DJ Professor K in the Grand Finals, and finished as the tournament's runner-up, for which she was awarded the fusion collab ' 11 Minutes of City Pop '. She then moved on to the Finals to battle Unrestrained HyperCam 2 with DJ Professor K.

in the Loser's Final, thus making her the winner of the Loser's Bracket. After beating him, she defeated The Jazz Cats and moved to the Final Four to face and defeat MissingNo. Paruko, ZUN, Wario Partners LLP, and Jack & Elmo, before moving to fight 'Weird Al' Yankovic. In Loser's Bracket, she managed to score victories against Off the Hook ft. In Round 1, Mariya Takeuchi faced the Jack Bros and lost. On the MOJO!!, her source list was expanded to include songs from her husband, Tatsuro Yamashita. Her source list was revealed to not only include songs by her, but also any song that was in the genres of city pop and future funk. Mariya Takeuchi was revealed in the beginning of the ' SiIva Direct '. Mariya Takeuchi's description on the MOJO!! They say her music has the power to control the algorithm of life itself. Those familiar with the song are probably also familiar with the bits of Engrish found throughout, including the outro which is entirely in Engrish.King for Another Day Tournament Mariya Takeuchi, creator of the hit song вЂњPlastic Love,вЂќ has made her way into the battle! Born in 1955, she is one of the oldest fighters on the roster, but we highly recommend that you donвЂ™t underestimate her. Seeing as it wasnвЂ™t one of TakeuchiвЂ™s most popular songs, to begin with, an interesting side-effect of this boom to popularity is that while the rest of the world is learning of the song for the first time, it essentially gets a second chance to be rediscovered in Japan as well, which is, perhaps, the unintentional meta-game of Vaporwave and Future Funk. Years later, we have grown up as consumers of Youtube and memes as a part of daily life, and when we hear an unlikely jam, we take it at face value.Д¬ould it have been another song that was propelled to new popularity? Sure. With musical memes in the past like Rick AstleyвЂ™s Never Gonna Give You Up, we were essentially вЂњtrickedвЂќ into clicking links with feigned disdain for having clicked on the link, however, it was the idea that we were tricked that actually brought about the grievance in this case many of us eventually came to the conclusion that Never Gonna Give You Up is actually a decent song.Д¬onsider that Rickrolling was merely the masses getting their first taste of the conveniences of streamable music, though in a rather quirky way. The accessibility and convenience of Youtube make spreading a song like Plastic Love as easy as posting a link to a video. Memes tend to spread like a brushfire in windy conditions. Of course, there is also the fact that Vaporwave as a genre is seen as and feeds off of being a meme. The only difference is that with the emergence of City Pop due to in part Vaporwave culture, as well as Japanese culture as a whole, becoming more popular worldwide, the popularity of Mariya Takeuchi and Plastic Love has reached new audiences.

Well, Mariya Takeuchi has always been an extremely popular artist вЂ“ that is, in Japan. How did Plastic Love Become so Popular in recent years? This has been proved with numerous songs, but the one that truly sticks out for most right now is Plastic Love. However, an unexpected byproduct of the production of such music is the realization that the original tracks were excellent, to begin with. The digital chopping board for such artists ends up producing pleasant results as they give old Japanese hooks a fresh, modern sound. In the process of this, they have come across hits within the City Pop genre that was rather popular in the time period where City Pop thrived during the 80s, but relatively unknown to foreign markets. Vaporwave and Future Funk artists scoured old hits for source material to sample in order to create the sounds and aesthetics associated with their genre. One of the most notorious recipients of this re-emerging City Pop phenomenon is, of course, Mariya TakeuchiвЂ™s 1984 hit Plastic Love.

As advocates for and practitioners of Vaporwave as a culture rummaged through forgotten songs from JapanвЂ™s City Pop boom of the 1980s, they uncovered a number of hits that were given a second chance at worldwide acclaim.

Mariya takeuchi plastic love original